
Sight, Sound & Story: Live Goes “Inside the Cutting Room of Sam O’Steen” on November 19th
The Sight, Sound & Story: Live monthly event series continues in November with Author & Film Historian Bobbie O’Steen and a panel of seven editors

The Sight, Sound & Story: Live monthly event series continues in November with Author & Film Historian Bobbie O’Steen and a panel of seven editors

Blackmagic Design announced that “The Cleansing Hour,” starring Ryan Guzman, Kyle Gallner and Alix Angelis, utilized Blackmagic cameras, ATEM switchers and converters in production,

Creativity prevails as world’s largest award for excellence in video content across all screens honors ingenuity in the midst of change with new theme, “Your

ZEISS awarded HPA Engineering Excellence Award for its eXtended data, which uses metadata to significantly simplify image processing for film production ZEISS was awarded the

The CSU Media Arts Festival celebrates 30 years in 2020. They’re switching up the format a bit and presenting the festival online on Friday, October

Blackmagic Design announced today that the feature film “Last Call”, which was shot in two simultaneous 80 minute takes, was colored in DaVinci Resolve Studio by

Post|Production World (P|PW) Online is the world’s leading training conference for production & post-production professionals, content creators, designers, TV, film & video editors, producers, directors,

Sight, Sound & Story: Live monthly online event series continues in October with Supervising Sound Editors Bobbi Banks, & Mildred Iatrou, and Re-Recording Mixer Robert

Amanda Dreschler and Michael Livingston didn’t let a detour like the COVID-19 pandemic shunt their creativity. Just the opposite— they channeled their isolation experience into

Participate Free via phone, tablet, computer or connected TV Cine Gear Expo announces a rousing virtual lineup for their much-anticipated annual Film Series Competition to

It was a true honor getting to connect with Oscar®, Emmy®, and Peobody®, award-winning filmmaker,

Whether it’s the explosive eruption of a volcano or the swirling chaos of a tornado,

We want to introduce you to Marcus LeVere, a Vancouver-based VFX supervisor who used his