A professional organization for filmmakers to learn, share and network from 2008 to 2025.

June 2016 Photos

Our 8th Anniversary meeting on June 9th, 2016 was a wonderful celebration of community as we welcomed two amazing presentations. First up we had L.A. Post Fest Best Film and Best Editing winner, Misha Tenenbaum share his amazing workflow spanning 10 team members in 4 continents. He detailed the process from getting Team Editstock together to delivering the winning film.

After a networking break filled with anniversary cake we came back to hear from the post production team on the feature documentary, “Dying to Know: Ram Dass & Timothy Leary.” Michael Donnelly, Co-Producer and Post Supervisor reviewed with us the evolution on this film and technology over a 20 year span. Ethan Boehme covered much of the online and editing process working this so many various formats and Ken S. Polk, CAS spoke about the extensive audio work that was done to create a seamless soundtrack for this fascinating film.

 

A big thank you to our members, partners and friends for helping us create a growing, thriving, open community for anyone with an interest in digital content creation.

April 2025 Photos

At our April 2025 meeting we welcomed Synology for the first time! Presenting for Synology was technical account manager, Kat

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May 14, 2025

*Please note the special time for this meeting – 10am PDT. Capturing Lens Tracking Data with ZEISS CinCraft Scenario  

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March 2025 Photos

Jon Hoeg, Director of Marketing and Communications for OWC begins this webinar with sharing Thunderbolt 5 breakthroughs. He notes with

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April 16, 2025

Protect, Collaborate, Create: A Smarter Approach to Media Storage If you’ve ever struggled with massive media files, remote collaboration challenges,

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Meet Sean Fine

It was a true honor getting to connect with Oscar®, Emmy®, and Peobody®, award-winning filmmaker,

Meet Mike Mezeul II

Whether it’s the explosive eruption of a volcano or the swirling chaos of a tornado,

Meet Marcus LeVere

We want to introduce you to Marcus LeVere, a Vancouver-based VFX supervisor who used his

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