June 5, 2014
05 Jun 2014

June 11th, 2014 Meeting

4K WORKFLOWS AND BEYOND
WITH HP, INTEL® AND ADOBE
 & THE TOP 10 THINGS INDIE FILMMAKERS SHOULD KNOW ABOUT 3D POST-PRODUCTION

Join us for a special presentation from film editor Vashi Nedomansky as he shares the 4K workflow he used editing the Waiting for Lighting documentary. He’ll also discuss using both an HP Z Workstation and Z Mobile Workstation, powered by Intel® Xeon® processors seamlessly with Adobe Premiere Pro CC to natively edit 4K and 5K files to create four nationally broadcast spots and a 20 minute epilogue for the film that describes Danny Way’s epic fall at the XGames. Additionally Vashi will talk about how the changes in technology, both speed and integration, are enabling individuals to create so much more by themselves.

Vashi Nedomansky has edited a feature film for David Zucker (Airplane, Scary Movie), cut Broadcast Spots for all 5 United States Military Branches (Air Force, Army, Marines, Reserves, Coast Guard) and worked on the cutting edge of filmmaking with partners such as: Bandito Brothers, Shane Hurlbut, Vincent Laforet, The Polish Brothers and other established artists.
See more at: vashivisuals.com

We will be giving away one HP DreamColor Monitor, Z27x – 27” diagonal screen!

The new HP DreamColor Z27x display features a new color-critical monitor with integrated color calibration engine, 4K input support and 10-bit color that drives ups to 1.07 billion on screen colors. Used in a wide range of color workflows, including animation, visual effects, post production, digital photography and digital prepress.

Retail value: $1499.00. Must be present to win!

SPONSORED BY HP and INTEL®
BE THE LUCKY ATTENDEE TO WIN A FULL YEAR OF ADOBE CREATIVE CLOUD!!!!


 THE TOP 10 THINGS
INDIE FILMMAKERS SHOULD KNOW ABOUT 3D POST-PRODUCTION

Rick Baumgartner, author of the new book 3D POSTPRODUCTION – Stereoscopic Workflows and Techniques will cover the key topics independent filmmakers and content creators need to know about posting natively-shot stereoscopic 3D in a way that makes the best use of scarce post resources.There will be a powerpoint presentation and a series of short video mini-tutorials, all in 2D. He will be joined by the book’s technical editor Juan I. Cabrera.

Rick Baumgartner is a Digital Content Producer specializing in postproduction, visual effects, and advanced imaging. He contributed post expertise to the first digitally captured live-action 3D feature (U2 3D), the first digital 3D television episode (NBC’s Chuck vs. The Third Dimension), and the first digital 3D television commercial. Rick received an Emmy nomination for his visual effects work on Buffy The Vampire Slayer. His feature film work includes 300, Monster House, and Idiocracy, and he has production credits on six videogames. You can visit his website at www.RickBaumgartner.com.

Juan I. Cabrera is a Colorist and Stereographer with 14 years of experience in the field of Post-Production. He began his career in Spain, where he started two studios and worked with some of the biggest names in the industry. He came to US in 2011, and since then has worked on 3D productions such as PROMETHEUS, THE AMAZING SPIDER-MAN, STAR TREK INTO DARKNESS and TRANSFORMERS: AGE OF EXTINCTION. among many other 3D and 2D projects. Juan specializes in both finishing and workflow design and is a senior-level operator of the high-end SGO Mistika postproduction finishing system.

June 1, 2014
01 Jun 2014

ProductionHUB workshop at Cine Gear Expo: Win Projects & Attract Clients

Cinegear-150x125LOOKING FOR WORK? HELP GET YOURSELF HIRED WITH THIS WORKSHOP!

The Los Angeles Post Production Group in association with ProductionHUB is hosting a free workshop at Cine Gear Expo called:

 

Win Projects & Attract Clients By Making Your ProductionHUB Profile Work For You

on Friday, June 6th at 4:00pm at The Studios at Paramount – Screening Room #5

You’ll learn detailed, actionable tips on optimizing your online profile to increase your chances of getting found by the 6 million+ who search ProductionHUB.com annually for production and post production services. Perfect for newbies, as well as professionals who already use ProHUB to find work and want to find out how they can make their profile work for them.

***You must register for an exhibits pass to Cine Gear to be able to attend.***

Click here to register for the Expo.

Registration to Cine Gear is free until May 31, 2014, at midnight Pacific time.

Cine Gear Expo offers the opportunity to meet with companies producing the latest tools and services for the industry, get hands-on technical training, gain new skills, hear breaking industry news, network with peers and learn from industry leaders. Nowhere else will you find the volume and quality of information that will be available at Cine Gear Expo 2014.

June 1, 2014
01 Jun 2014

Manhattan Edit Workshops’s one day summit: “Sight, Sound and Story”

SSS2014225x225-150x150CALLING ALL EAST COAST AND BI-COASTAL MEMBERS

Manhattan Edit Workshop’s one-day summit, Sight, Sound & Story, returns to New York on June 14th, 2014. The event gathers a collection of diverse and intriguing speakers spanning the world of post-production. Panels include the art and processes of editing film & television and the craft behind sound design. This year’s event features long time Steven Spielberg editor Michael Kahn, A.C.E.! The summit culminates in a gala reception and networking session for over 300 guests, panelists, and vendors.
LAPPG Members can receive $20 off the regular price of $89 by using the code: SSS_LAPPG

For more information and to register for this event click here.